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Tracks would be driven along by drums that echoed the sounds of wheels on cracked pavement or the engine of a semi truck in need of oil and in a rush to make its drop.
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Sometimes they’d sound agitated, full of nervous energy and needing to run loose, while other times they’d sound a little inebriated, wobbling with a drunken determination to get where they wanted to go. There was plenty of room for guitars to bend and churn in the wind or to wind down seemingly empty roads with no destination in mind. Those covers were a reflection of the songs those albums contained, songs that sprawled and would somehow fill space without overtaking it. And than came The Moon and Antarctic, an album whose cover originally featured a handshake in the sky over a nondescript desert landscape. The Westin Seattle appears on the cover of The Lonesome Crowded West angled to show more of the graying nighttime sky than the actual building itself. There were two EPs that followed – the oddly cropped Golden Gate Bridge cover of the Interstate 8 which featured more blue sky than bridge and the expanse of lake and clouds on the front of The Fruit That Ate Itself.
This Is a Long Drive for Someone With Nothing to Think About featured a dusty section of road way out in the middle of nowhere.
Thinking back over early Modest Mouse albums, their covers always suggested a certain amount of space.
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